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FIRE IN THE BLOOD

Neither a masterpiece nor a curiosity but an elegant expression of universal longings rooted in a specific milieu,...

Following the discovery and publication of the French novelist’s Suite Française (2006), here’s another lost work: a short elegiac novel about the brief yet passionate loves and infidelities of youth.

The best guess is that Némirovsky (1903–1942) worked on this novel between 1938 and 1942, when she was deported to Auschwitz. The first-person narrator is Silvio, a middle-aged man living in Burgundy, an agriculturally rich region whose small landowners and farmers are suspicious and dour. As a young man, Silvio left this stifling community to sow his wild oats and work his way around the world, “propelled forward by the fire in my young blood”—echoes of Joseph Conrad’s Youth. Now, all passion spent, his inheritance squandered and his lands sold, he lives alone with only his dog for company. Nearby live his cousin Hélène and her husband François, a devoted couple, the picture of domestic tranquility. The marriage of their daughter Colette to Jean, a gentle young miller, sets the plot in motion. Early in their marriage, Colette takes a lover, experiencing like Silvio that “fire in the blood.” There is, however, a complication. The lover, Marc, already has a liaison with another woman, the unhappily married ward of Hélène’s half-sister. One night there is an “accident”; Jean is found dead in the river. It emerges that Jean had lost a struggle with another man; François, never dreaming his daughter had a lover, wants to involve the police. Eventually Colette’s parents learn the truth, which in turn forces Hélène to make a stunning confession of her own about her young, passionate self, and induces in Silvio the great mournful cry, “I want my youth back.” There is one puzzling omission at the end which suggests Némirovsky, a careful plotter, had loose ends to tie up.

Neither a masterpiece nor a curiosity but an elegant expression of universal longings rooted in a specific milieu, provincial France, that’s observed with a caustic brilliance.

Pub Date: Oct. 3, 2007

ISBN: 978-0-307-26748-1

Page Count: 160

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2007

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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