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JACKIE & ME

Romance with bite: the perfect escapism for today’s anxious times.

Bayard imagines Jack and Jackie Kennedy’s momentous courtship through the eyes of Lem Billings, the future president's lifelong best friend.

Everyone knows how things turned out—every strand of Kennedy lore has been examined repeatedly. Bayard doesn't change names or reveal new facts (and an author’s note pointedly acknowledges that he's made up a plot point concerning Lem). Instead Bayard produces an “alternative history” evincing these very public figures’ inner lives while considering how different choices might have led to different outcomes. While Lem Billings was an actual Kennedy intimate, narrator Lem is reminiscent of The Great Gatsby’s Nick Carraway, and his fictional reminiscences structure the novel around the triangular friendship he shares with Jack and Jackie in the years leading up to their wedding in the early 1950s. The result is a meditation on the definitions, possibilities, and failures of friendship. The real Lem survived homophobic times semicloseted. Here Lem is portrayed as a heartbreaking mix of fear, loyalty, and perception who watches as Jackie is sucked into the Kennedy maelstrom. She can’t stand Jack’s family but also can’t resist Jack, a presence as indefinable as quicksilver, calculating yet straightforward, treacherous with women yet remembered by Lem as the “finest” of men. A dedicated lothario, Jack has no interest in marriage, but his family’s political ambitions for him require a wife, and Jackie meets Kennedy prerequisites. How deeply Jack grows to care for her remains unclear, but he does not want her to marry under false pretenses and asks Lem to make sure Jackie understands what to expect. Too softhearted, Lem sidesteps the brutal facts. Almost 30 years later, facing his own sexual identity crisis, he sees how his silence failed both Kennedys. Lem’s pre-AIDS 1981 now seems almost as innocent as his 1950s. As for Jackie, she’s pure delight—beautiful of course, naïve but self-aware, her keen intellect showing small glints of the tough resilience she’ll need later on when she's become an icon.

Romance with bite: the perfect escapism for today’s anxious times.

Pub Date: June 14, 2022

ISBN: 978-1-64375-035-4

Page Count: 352

Publisher: Algonquin

Review Posted Online: Feb. 7, 2022

Kirkus Reviews Issue: March 1, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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LONG ISLAND

A moving portrait of rueful middle age and the failure to connect.

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An acclaimed novelist revisits the central characters of his best-known work.

At the end of Brooklyn (2009), Eilis Lacey departed Ireland for the second and final time—headed back to New York and the Italian American husband she had secretly married after first traveling there for work. In her hometown of Enniscorthy, she left behind Jim Farrell, a young man she’d fallen in love with during her visit, and the inevitable gossip about her conduct. Tóibín’s 11th novel introduces readers to Eilis 20 years later, in 1976, still married to Tony Fiorello and living in the titular suburbia with their two teenage children. But Eilis’ seemingly placid existence is disturbed when a stranger confronts her, accusing Tony of having an affair with his wife—now pregnant—and threatening to leave the baby on their doorstep. “She’d known men like this in Ireland,” Tóibín writes. “Should one of them discover that their wife had been unfaithful and was pregnant as a result, they would not have the baby in the house.” This shock sends Eilis back to Enniscorthy for a visit—or perhaps a longer stay. (Eilis’ motives are as inscrutable as ever, even to herself.) She finds the never-married Jim managing his late father’s pub; unbeknownst to Eilis (and the town), he’s become involved with her widowed friend Nancy, who struggles to maintain the family chip shop. Eilis herself appears different to her old friends: “Something had happened to her in America,” Nancy concludes. Although the novel begins with a soap-operatic confrontation—and ends with a dramatic denouement, as Eilis’ fate is determined in a plot twist worthy of Edith Wharton—the author is a master of quiet, restrained prose, calmly observing the mores and mindsets of provincial Ireland, not much changed from the 1950s.

A moving portrait of rueful middle age and the failure to connect.

Pub Date: May 7, 2024

ISBN: 9781476785110

Page Count: 304

Publisher: Scribner

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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