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THE HUNTER'S DAUGHTER

First-timer Solvinic provides more questions than answers in a messy, compelling tale.

Or The Killer’s Daughter, since the heroine’s father was executed years ago for strangling 27 women.

That’s a formidable legacy to deal with, and Det. Lt. Anna Koray, of the Midwestern Bayern County Sheriff’s Office, has always struggled to keep her head above water. After her father, Stephen Theron, was identified as the Forest Strangler and arrested and her mother, Sheila Fredericks Theron, put her up for adoption and went into the Witness Protection Program, Elena Theron took the name of her loving foster parents and continued what turned into years of therapy with psychiatrist Barbara Richardson. The demons she’s kept at bay come roaring back when, called to a scene of domestic abuse, she kills the husband who’s already shot his wife to death and tries to do the same to Anna. The attendant trauma leads to uneasy reunions with Nick Kohler, an ER doctor who’d wanted more than she could give, and with Dr. Richardson, who succeeds in unlocking the vault of Anna’s repressed memories. All this is a prelude to the main event: the discovery of another series of female corpses arranged as ceremoniously as Stephen Theron’s victims. Are these murders the work of a copycat killer, or of Veles, the Forest God? Since the rare DNA variant Theron carried has turned up on the new crime scenes, is it possible that he wasn’t executed after all but escaped? Or could Anna, who’s surely carrying that variant herself, be unwittingly channeling the spirit of her father or of Veles?

First-timer Solvinic provides more questions than answers in a messy, compelling tale.

Pub Date: May 14, 2024

ISBN: 9780593639726

Page Count: 384

Publisher: Berkley

Review Posted Online: Feb. 17, 2024

Kirkus Reviews Issue: March 15, 2024

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MIND GAMES

A touching story of love and grief ends in an epic battle of good versus evil.

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Roberts’ latest may move you to tears, or joy, or dread, or all three.

Every summer, John and Cora Fox visit Cora’s mother, Lucy Lannigan, in Redbud Hollow, Kentucky, leaving their children, 12-year-old Thea and 10-year-old Rem, for a two-week taste of heaven. The children love Grammie Lucy far more than John’s snooty family, which looks down on Cora. Lucy, a healer with deep Appalachian roots, loves animals, cooks the best meals, plays musical instruments, and makes soap and candles for her thriving business. Thea—who’s inherited the psychic abilities passed down through the women of Lucy’s family—has vivid magical dreams, one of which becomes a living nightmare when a psychopath robs and murders John and Cora as Thea watches helplessly. Thea’s description of the killer and her ability to see him in real time help the skeptical police catch Ray Riggs, who goes to prison for life. Although Thea and Rem go on to have a wonderful childhood with Grammie, Thea constantly wages a mental battle with Riggs, who tries to use his own psychic abilities to get into her mind. Over the years, Thea uses her imagination to become a game designer while the more business-minded Rem helps manage her career. Thea eventually builds a house near Lucy, where a newly arrived neighbor is her teen crush, singer-songwriter Tyler Brennan. Tyler has his own issues and is protective of his young son but slowly builds a loving relationship with Thea, whose silence about her abilities leads to a devastating misunderstanding. At first Thea tries to keep Riggs locked out of her mind. As her powers grow, she torments him. Finally, she realizes that she must win this battle and destroy him if she’s ever to have peace.

A touching story of love and grief ends in an epic battle of good versus evil.

Pub Date: May 21, 2024

ISBN: 9781250289698

Page Count: 432

Publisher: St. Martin's

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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