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GIVING UP THE GHOST

A MEMOIR

Mantel’s voice, often gently whimsical, can also snarl with anger and bite with satire.

An English critic and novelist (Fludd, 2000, etc.) summons the ghosts of her childhood and youth.

In some ways, Mantel’s early life was a struggle against ignorance and the brutalities that are its children. A stepfather brooked no disagreements and referred to her as “they”; classmates engaged in creative cruelty; teachers (especially one beast named Malachy) were boring and malevolent; a sexist university law tutor was a “talentless prat in a nylon shirt”; incompetent medicos prescribed psychotropics when confronted with complexity. Mantel begins and ends with the decision to sell their second home, a place in Norfolk she and her husband called “Owl Cottage.” Her stepfather’s ghost remained there. Mantel believes in specters and relates one particularly harrowing experience, when she was seven, of being occupied by a formless yet substantive horror she saw in the garden. At the time she was sure it was the devil. The experience became one of the enduring presences in her life. Mantel writes about the many other realities with grace, humor, irony, and, sometimes, bitterness. She tells about how she had two fathers living in the house at the same time (her biological father shared the dwelling with her mother’s lover), about her relationships with relatives and books. After reading stories about King Arthur she decided she would be a combination railway guard, like her grandfather, and knight errant. She takes us through the Davy Crockett and Elvis crazes (neither touched her much) and describes the remarkable day when she received the results of her pivotal eleven-plus exam: “Passed. So I can have a life, I thought.” The most alarming passages deal with her battles with endometriosis, a chronic gynecological disease undiagnosed for a decade by purblind physicians and sexist shrinks. Along the way, she has much of interest to say about the vagaries of memory, the betrayals of the body, and the art of writing.

Mantel’s voice, often gently whimsical, can also snarl with anger and bite with satire.

Pub Date: Oct. 8, 2003

ISBN: 0-8050-7472-4

Page Count: 240

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2003

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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