A suspenseful tale of resilience that will resonate with anyone who has ever yearned for a fresh start.
Six years after a violent home invasion and the mysterious disappearance of their older cousin, two sisters begin to put together the pieces of what actually happened.
No one ever leaves the backwater town of Beaumont, Missouri. Amelia and Kylee Crow’s older cousin, Grace, comes closest to getting out—she was both at the top of her class and the first in their family to get into college—but all that changed the night she vanished while babysitting them. Years have passed since that fateful, bloody evening, and while most of Beaumont’s residents have moved on with their lives, Amelia can’t shake the feeling that the truth of what happened is still out there waiting to be found—and so is Grace, dead or alive. When the body of a young woman is discovered on a piece of property in town, old questions are dredged up, fingers are pointed, and Amelia and Kylee soon learn that their family might not be the only one with skeletons in the closet. The story is told in alternating sections, starting with chapters narrated by Amelia as she and Kylee search for answers, and then switching to chapters written from Grace’s point of view leading up to the night of her disappearance. Grace’s chapters help readers fill in the pieces that Amelia and Kylee struggle to put together, as well as emphasize the love that exists among all three girls in a world that is extremely unkind and violent toward young women. Where McHugh’s writing truly shines, however, is in her descriptions of the town of Beaumont and its residents. From Amelia and Kylee’s pole-dancer mother—who loves and deeply resents her daughters in equal measure—to the meatpacking plant where everyone works after high school, she deftly captures the hardships of a small and insular community with vivid detail.
A suspenseful tale of resilience that will resonate with anyone who has ever yearned for a fresh start.Pub Date: April 23, 2024
ISBN: 9780593448854
Page Count: 304
Publisher: Random House
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Fast-moving fun and a highly creative plot.
Bloody murder spoils folks’ fun while megafauna return from extinction.
What a glorious way to spend a honeymoon: Mark and Olivia Gunnerson go backpacking through the vast Erebus Resort in the mountains of Colorado, where scientists have “de-extincted” species like the woolly mammoth and other Pleistocene megafauna. Just watch the peaceful beasts at their watering holes. Behold the giant armadillos, and the indricothere that make mammoths look like dwarfs. The scientists have removed genes for aggression in these re-creations, so humans will be safe unless they’re accidentally stepped on. And yet, someone doesn’t want the newlyweds camping there, made evident by their disappearance without a trace, save only a copious amount of blood outside their tent. Colorado Bureau of Investigation Agent in Charge Frankie Cash takes the case. What happened to Mark and Olivia, and why? The park has no predators, so humans must be responsible. But where are the bodies? A doctor suggests that due to the amount of blood found, the victims may have—gasp!—been decapitated. The matter gathers national attention, and things only get worse as more people die. The late groom’s aggrieved billionaire father demands immediate answers, and of course he interferes with the investigation: “You’ll see me now, you son of a bitch, and tell me what the fuck you’re doing to find my son!” And speaking of F-bombs, surely it is possible to write a thriller with fewer—maybe use one or two to establish a character and then move on to more creative language? Anyway, the investigators are doing a lot. The action seldom lets up, and readers will feel the mounting tension and excitement. The setting itself is a scientific wonder, and it must tie into the murders somehow. Meanwhile, Hollywood is filming an action movie in the park, and the pièce de résistance will be the spectacular explosion of a train. But wouldn’t you know, Preston has other plans. Imagine Jurassic Park with the timeline brought forward to the Pleistocene, and you have the Erebus Resort. Science, imagination, storytelling, and action are all here.
Fast-moving fun and a highly creative plot.Pub Date: April 23, 2024
ISBN: 9780765317704
Page Count: 384
Publisher: Forge
Review Posted Online: Feb. 12, 2024
Kirkus Reviews Issue: March 15, 2024
Squeamish readers will find this isn’t their cup of tea.
Dexter meets Killing Eve in Wallace’s dark comic thriller debut.
While accepting condolences following her father’s funeral, 30-something narrator Claire receives an email saying that one of her paintings is a finalist for a prize. But her joy is short-circuited the next morning when she learns in a second apologetic note that the initial email had been sent to the wrong Claire. The sender, Lucas Kane, is “terribly, terribly sorry” for his mistake. Claire, torn between her anger and suicidal thoughts, has doubts about his sincerity and stalks him to a London pub, where his fate is sealed: “I stare at Lucas Kane in real life, and within moments I know. He doesn’t look sorry.” She dispatches and buries Lucas in her back garden, but this crime does not go unnoticed. Proud of her meticulous standards as a serial killer, Claire wonders if her grief for her father is making her reckless as she seeks to identify the blackmailer among the members of her weekly bereavement support group. The female serial killer as antihero is a growing subgenre (see Oyinkan Braithwaite’s My Sister, the Serial Killer, 2018), and Wallace’s sociopathic protagonist is a mordantly amusing addition; the tool she uses to interact with ordinary people while hiding her homicidal nature is especially sardonic: “Whenever I’m unsure of how I’m expected to respond, I use a cliché. Even if I’m not sure what it means, even if I use it incorrectly, no one ever seems to mind.” The well-written storyline tackles some tough subjects—dementia, elder abuse, and parental cruelty—but the convoluted plot starts to drag at the halfway point. Given the lack of empathy in Claire’s narration, most of the characters come across as not very likable, and the reader tires of her sneering contempt.
Squeamish readers will find this isn’t their cup of tea.Pub Date: April 16, 2024
ISBN: 9780143136170
Page Count: 336
Publisher: Penguin
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
