Race, class, fate and choice—they join Love and Death to play their parts in Brockenbrough’s haunting and masterfully...
A lovingly realized Depression-era Seattle becomes the field of play for the latest round in the titular, age-old game.
In February 1920, Love and Death choose their newest pawns as infants: Love’s is Henry, a white boy of privilege (though influenza and grief rob him of much of it); Death’s is Flora, the soon-to-be-orphaned daughter of African-American jazz musicians. In spring of 1937, the game begins. Flora sings in—and actually owns part of—the family’s nightclub, but her heart is in the skies, where she flies a borrowed biplane and dreams of owning her own. Henry, a talented bass player, is poised to graduate from the tony private school he attends on scholarship with his best friend, Ethan, whose family took him in upon his father’s suicide. They meet when Henry and Ethan visit the airstrip where Flora works; the boys are in pursuit of a story for Ethan’s newspaper-magnate father. Brockenbrough’s precise, luscious prose cuts back and forth among the four protagonists, according each character equal depth, with Ethan playing a heartbreaking supporting role. The contrast between the youthful excitement of ardent Henry and pragmatic Flora and the ageless, apparent ennui of the immortals gains nuance as readers come to understand that Love and Death are not without their own complicated feelings.
Race, class, fate and choice—they join Love and Death to play their parts in Brockenbrough’s haunting and masterfully orchestrated narrative. (Magical realism. 12 & up)Pub Date: April 28, 2015
ISBN: 978-0-545-66834-7
Page Count: 336
Publisher: Levine/Scholastic
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
PROFILES
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
A well-thought-out magical world that provocatively centers Black experiences.
Black diaspora magic manifests in a boy on the worst day of his life—but later, things only get more complicated.
When Malik Baron was 7, his mother vanished in the explosive moment his powers manifested while he defended them from mysterious cloaked figures. Ten years (and many foster homes later), the short-tempered Malik isn’t much better at controlling his powers, but he’s ready to leave Helena, Alabama, and start over with Taye, his foster brother. Reuniting with Mama Aya, the maternal grandmother in New Orleans he never knew, wasn’t part of the plan, but fate draws Malik to her—and into a secret world of magic. He discovers Caiman University—a sort of magical historically Black college—which may be where he’ll find answers to what happened to his mother. Narrator Malik, who uses colorful language, is fully aware of the Black Harry Potter subtext of his story, and he’s thoughtfully focused on protecting Taye, proving his mother is still alive, and surviving in a world that has never made things easy, even before supernatural threats emerged. The extensive worldbuilding incorporates West African, Caribbean, and Black American history and cultures to explain a magical reality hidden from view and relevant to the Black diaspora and Malik’s family history. When Malik bumps into an old friend and potential love interest on campus, everything is in place for him to grow into his powers, uncover the truth, and face new heartbreak.
A well-thought-out magical world that provocatively centers Black experiences. (Fantasy. 13-18)Pub Date: May 7, 2024
ISBN: 9780593711927
Page Count: 432
Publisher: Labyrinth Road
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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