A masterwork that should cement Bina (and Schofield) as one of the great voices in recent fiction.
An elderly woman in western Ireland holds up her life as a cautionary tale.
Partway through the tale told by Schofield’s garrulous 74-year-old narrator, she reflects on what her story could be if she were a woman with plenty of time left to her: “She’d lace up paragraphs that would absorb you and you’d believe her, because you’re easy this way. I am not that woman. I’m not easy.” She’s right: Bina and her story are anything but easy. The story of her later life unspools, often meandering down the page in broken lines like poetry (an effect achieved because she’s partly writing on the backs of receipts and bills) and including footnotes for digressions. Bina is especially concerned with warning readers not to end up as she did after helping a man—the bullying Eddie—who ruined her life the day he landed in a ditch on her property after a motorcycle accident. She tells of her unwitting role as a kind of counterculture icon to a group of young radicals she calls “the Crusties” after being jailed for hitting an airplane with a hammer during a protest. (She was thinking of Eddie.) And she speaks of her secret work with a dying-with-dignity group and the adjacent grief it brings into her life, especially when a much-loved friend is involved. But the plot, emerging in fits and starts, is really beside the point: Schofield pulls off such a virtuosic feat of voice that Bina’s utterances, by turns aphoristic and rambling, grief-soaked and mordantly funny, haul the reader through the book, as immersive as being trapped inside her rural kitchen with the kettle on.
A masterwork that should cement Bina (and Schofield) as one of the great voices in recent fiction.Pub Date: Feb. 2, 2021
ISBN: 978-1-68137-549-6
Page Count: 328
Publisher: New York Review Books
Review Posted Online: March 2, 2021
Kirkus Reviews Issue: March 15, 2021
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A touching story of love and grief ends in an epic battle of good versus evil.
Roberts’ latest may move you to tears, or joy, or dread, or all three.
Every summer, John and Cora Fox visit Cora’s mother, Lucy Lannigan, in Redbud Hollow, Kentucky, leaving their children, 12-year-old Thea and 10-year-old Rem, for a two-week taste of heaven. The children love Grammie Lucy far more than John’s snooty family, which looks down on Cora. Lucy, a healer with deep Appalachian roots, loves animals, cooks the best meals, plays musical instruments, and makes soap and candles for her thriving business. Thea—who’s inherited the psychic abilities passed down through the women of Lucy’s family—has vivid magical dreams, one of which becomes a living nightmare when a psychopath robs and murders John and Cora as Thea watches helplessly. Thea’s description of the killer and her ability to see him in real time help the skeptical police catch Ray Riggs, who goes to prison for life. Although Thea and Rem go on to have a wonderful childhood with Grammie, Thea constantly wages a mental battle with Riggs, who tries to use his own psychic abilities to get into her mind. Over the years, Thea uses her imagination to become a game designer while the more business-minded Rem helps manage her career. Thea eventually builds a house near Lucy, where a newly arrived neighbor is her teen crush, singer-songwriter Tyler Brennan. Tyler has his own issues and is protective of his young son but slowly builds a loving relationship with Thea, whose silence about her abilities leads to a devastating misunderstanding. At first Thea tries to keep Riggs locked out of her mind. As her powers grow, she torments him. Finally, she realizes that she must win this battle and destroy him if she’s ever to have peace.
A touching story of love and grief ends in an epic battle of good versus evil.Pub Date: May 21, 2024
ISBN: 9781250289698
Page Count: 432
Publisher: St. Martin's
Review Posted Online: March 23, 2024
Kirkus Reviews Issue: April 15, 2024
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
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