A chilly tale to warm the heart.
A lost wolf pup is taken in by a polar bear in Banks and Stoop's sweet arctic tale.
As winter descends on the Arctic tundra, a young wolf pup becomes separated from his pack, isolated on an ice floe. He swims to shore, tired and cold, and finds himself face to face with a large polar bear. Frightened, the pup is perplexed when the bear nuzzles him rather than attacking: “Aren’t you going to eat me?” After all, “Polar bears eat wolves.” “Not this one” is the polar bear’s reply, and she explains that though she is not his mother, she can keep him safe and warm. The two stay together through the Big Freeze and the Big Melt, the bear teaching the pup how to fish, playing with him, and, when the time comes, gently sending him out into the world on his own. The pup, now a fully grown arctic wolf, acquires a pack of his own, leading it over the tundra until, one day, he comes upon a small polar bear cub alone in the snow and pays forward the care he was shown as a pup. This quiet tale of kindness, adoption, and reciprocity uses sparse text to great effect among the crisp, wind-swept, snow-laden illustrations that practically crunch as the pages turn, cycling through the “wheel of life.”
A chilly tale to warm the heart. (Picture book. 3-7)Pub Date: Oct. 3, 2017
ISBN: 978-0-399-55409-4
Page Count: 32
Publisher: Schwartz & Wade/Random
Review Posted Online: Aug. 1, 2017
Kirkus Reviews Issue: Aug. 15, 2017
IN THE NEWS
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
SEEN & HEARD
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