Chapter three of King's epic alternate-world saga (1988, 1989) finds Roland the Gunslinger and his sidekicks continuing their quest for the Dark Tower—and the Maine master keyboarding some of his least restrained writing in years, great sagging storm clouds of padded prose that only occasionally thunder or brighten with lightning inspiration. The storyline by now is so complex that King opens with a four-page "Argument" summing up past action and tracing ties between major characters. The Argument for volume four won't be much longer, since relatively little happens here: Roland trains Eddie Dean and Susannah Walker, previously brought by him from Manhattan to his blighted world, in the arts of gunslinging—soon used to slay a giant mechanical bear named Shardik; Jake, the boy whom Roland let die in volume one, reappears as a Gotham schoolkid who makes his way through a haunted house into Roland's world; the band of four encounter a town of old folks, then a wasted city where Jake is kidnapped by degenerates, then rescued; Roland and company take a ride toward the Dark Tower on a train operated by an insane computer enamored of riddles. In a note, King admits that "finding the doors to Roland's world has never been easy for me." The strain is evident, with the volume seemingly jerry-built on borrowings (the hoary haunted house; the mad computer, echoing Hal of 2001; the wasted city and its criminal denizens, shades of Escape from New York) and overblown character conflicts (can Eddie summon the courage to cross the swaying bridge?). Still, some of the action cooks up shivery suspense, and Roland's anticipated duel of riddles with the homicidal computer promises a swift start to the next volume. Hopefully it won't take any more slack interlude volumes for Roland to reach the Dark Tower. Meanwhile, though confirmed series fans might at least tolerate this chapter (and buy up its 1.5 million first printing—on-sale Dec. 2), the generic King fan will enjoy far more the upcoming Needful Things (p. 813).
Pub Date: Jan. 3, 1992
ISBN: 0-452-26740-4
Page Count: 432
Publisher: Plume
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1991
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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